An indie/cult classic in the making, perhaps? I'm so excited that Parker Posey is continuing to get roles and that John Waters (the mastermind behind the original Hairspray, along with Pink Flamingos, Serial Mom and others) is still hard at work creating bizarre indie films. And Johnny Knoxville is.

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It hurts me so much to write this post, because the fact is, The Return of Jezebel James should be my new favorite TV show. It stars Parker Posey, one of my favorite actresses of all time, alongside Lauren Ambrose, who absolutely stole my heart as Claire Fisher on Six Feet Under. It has an intriguing plot: The sister who has her life together (Posey) can't have children, so she asks her screwed-up younger sister (Ambrose) to carry a child for her.

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Parker Posey doesn't speak in sentences; she speaks in stories. Ask her a question, and her incredibly detailed response will often start with the line "So I was doing this play in New York . .

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• SlashFilm finds a San Francisco street artist posing a key question: Do you prefer shoot-em-up star Rambo, or 19th-century French poet Rimbaud?
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• Check out Stereogum for Moby's latest video for the song "Alice."
• TV Filter spreads the good news that all of Lost is now available online for free!
• CasaSugar lets us tour Parker Posey's old apartment — without stalking her!
• Idolator already has a contender for the worst album cover of 2008.

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The realization struck me hard about halfway through Broken English: Parker Posey isn't Party Girl anymore. She hasn't been Party Girl for years, of course, and the roles she's taken have evolved steadily from neurotic 20-somethings to neurotic 30-somethings. But in Broken English, I saw for the first time that Posey and her characters are adults now — a little less hopeful, a little more world-weary, a lot more afraid of the idea that this could be the best life gets.

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