It’s hard to care too much about someone as obnoxious as Sidney Young, the main character of How to Lose Friends and Alienate People, played by Simon Pegg. Having a main character as unlikable as Sidney is one of the key things that doesn't work in it. There are some things that do work — a few funny bits, some great comedic performances — but they don't quite make up for the experience of watching the movie as a whole, which ends up being just kinda "meh."
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"Based on the true story of a real idiot."
The teaser for How to Lose Friends and Alienate People was kinda "meh" and the international trailer was downright odd. Now we have the "official" trailer for us Americans who are curious about this movie starring Simon Pegg, Megan Fox, Jeff Bridges, and Kirsten Dunst, and I have to say it is definitely an improvement.
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Just as author Toby Young has finished giving us his "man's take" on the Sex and the City movie — a bitter little piece in which Young calls the SATC New York a "pre-feminist society" where "[w]omen are second-class citizens who are expected to use their youth and beauty as commodities in order to secure their economic wellbeing" by marrying rich men — the international trailer has hit the Web for the film version of Young's memoir How to Lose Friends and Alienate People.
Clearly, Young loves to do just that — provoke and provoke until, yes, he alienates people. It's not so much that I disagree wholeheartedly with his assessment of the SATC world, but I do take issue with his claim that "the notion that girls like Carrie, Samantha, Charlotte and Miranda will always be there for each other, no matter what the cost — is a sentimental myth."
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While I love pretty much anything Simon Pegg does or says, and I seriously cannot wait for the Spring US release of Run, Fat Boy, Run, the teaser trailer for his next comedy How to Lose Friends and Alienate People leaves much to be desired. Based on Toby Young's 2003 memoir, the movie's plot description is this:
Sidney Young is a disillusioned intellectual who both adores and despises the world of celebrity, fame, and glamour. His alternative magazine, Post Modern Review, pokes fun at the media-obsessed stars and bucks trends, so when Young is offered a job at the conservative, New York-based Sharps magazine, it's something of a shock!
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